翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Nechtan Scéne : ウィキペディア英語版
Ulster Cycle

The Ulster Cycle ((アイルランド語:an Rúraíocht)),〔(Focal Project - National Terminology Database )〕 formerly known as the Red Branch Cycle, one of the four great cycles of Irish mythology, is a body of medieval Irish heroic legends and sagas of the traditional heroes of the Ulaid in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth, and taking place around or before the 1st century AD.
==Ulster Cycle stories==
The Ulster Cycle stories are set in and around the reign of King Conchobar mac Nessa, who rules the Ulaid from Emain Macha (now Navan Fort near Armagh). The most prominent hero of the cycle is Conchobar's nephew, Cú Chulainn. The Ulaid are most often in conflict with the Connachta, led by their queen, Medb, her husband, Ailill, and their ally Fergus mac Róich, a former king of the Ulaid in exile. The longest and most important story of the cycle is the ''Táin Bó Cúailnge'' or "Cattle Raid of Cooley", in which Medb raises an enormous army to invade the Cooley peninsula and steal the Ulaid's prize bull, Donn Cúailnge, opposed only by the seventeen-year-old Cú Chulainn. In the Mayo Táin, the Táin Bó Flidhais it is a white cow known as the 'Maol' that is the object of desire, for she can give enough milk at one milking to feed an army. Perhaps the best known story is the tragedy of Deirdre, source of plays by W. B. Yeats and J. M. Synge. Other stories tell of the births, courtships and deaths of the characters and of the conflicts between them.
The stories are written in Old and Middle Irish, mostly in prose, interspersed with occasional verse passages. They are preserved in manuscripts of the 12th to 15th centuries but, in many cases, are much older. The language of the earliest stories is dateable to the 8th century, and events and characters are referred to in poems dating to the 7th.〔Garret Olmsted, "The Earliest Narrative Version of the ''Táin'': Seventh-century poetic references to ''Táin bó Cúailnge''", Emania 10, 1992, pp. 5–17〕 The tone is terse, violent, sometimes comic, and mostly realistic, although supernatural elements intrude from time to time. Cú Chulainn in particular has superhuman fighting skills, the result of his semi-divine ancestry, and when particularly aroused his battle frenzy or ''ríastrad'' transforms him into an unrecognisable monster who knows neither friend nor foe. Evident deities like Lugh, the Morrígan, Aengus and Midir also make occasional appearances.
Unlike the majority of early Irish historical tradition, which presents ancient Ireland as largely united under a succession of High Kings, the stories of the Ulster Cycle depict a country with no effective central authority, divided into local and provincial kingdoms often at war with each other. The civilisation depicted is a pagan, pastoral one ruled by a warrior aristocracy. Bonds between aristocratic families are cemented by fosterage of each other's children. Wealth is reckoned in cattle. Warfare mainly takes the form of cattle raids, or single combats between champions at fords. The characters' actions are sometimes restricted by religious taboos known as ''geasa''.
The events of the cycle are traditionally supposed to take place around the time of Christ. The stories of Conchobar's birth and death are synchronised with the birth and death of Christ,〔Kuno Meyer, "Anecdota from the Stowe MS. No 992", ''Revue Celtique'' 6, 1884, pp. 173–183; Kuno Meyer, ''The Death Tales of the Ulster Heroes'', Todd Lecture Series, 1906, pp. 2–21〕 and the ''Lebor Gabála Érenn'' dates the ''Táin Bó Cúailnge'' and the birth and death of Cú Chulainn to the reign of the High King Conaire Mor, who it says was a contemporary of the Roman emperor Augustus (27 BC — AD 14).〔R. A. Stewart Macalister, (ed & trans), ''Lebor Gabála Erenn: The Book of the Taking of Ireland Part V'', Irish Texts Society, 1956, p. 301〕 Some stories, including the ''Táin'', refer to Cairbre Nia Fer as the king of Tara, implying that no High King is in place at the time.
The presence of the Connachta as the Ulaid's enemies is an apparent anachronism: the Connachta were traditionally said to have been the descendants of Conn Cétchathach, who is supposed to have lived several centuries later. Later stories use the name Cóiced Ol nEchmacht as an earlier name for the province of Connacht to get around this problem. However, the chronology of early Irish historical tradition is an artificial attempt by Christian monks to synchronise native traditions with classical and biblical history, and it is possible that historical wars between the Ulaid and the Connachta have been chronologically misplaced.〔Francis J. Byrne, ''Irish Kings and High Kings'', Four Courts Press, 2001, p. 50.〕
Some scholars of the 19th and early 20th centuries, such as Eugene O'Curry and Kuno Meyer, believed that the stories and characters of the Ulster Cycle were essentially historical; T. F. O'Rahilly was inclined to believe the stories were entirely mythical and the characters euhemerised gods; and Ernst Windisch thought that the cycle, while largely imaginary, contains little genuine myth.〔T. F. O'Rahilly, ''Early Irish History and Mythology'', Dublin Institute for Advanced Studies, 1946, pp. 269–271; Cecile O'Rahilly, ''Táin Bó Cualnge from the Book of Leinster'', Dublin Institute for Advanced Studies, 1967, Introduction, p. ix〕 Elements of the tales are reminiscent of classical descriptions of Celtic societies in Gaul, Galatia and Britain. Warriors fight with swords, spears and shields, and ride in two-horse chariots, driven by skilled charioteers drawn from the lower classes.〔Compare ''(Táin Bó Cúailnge from the Book of Leinster )'' pp. 164–166 with Diodorus Siculus, ''Historical Library'' (5.29 ), Julius Caesar, ''Commentarii de bello Gallico'' 4.33〕 They take and preserve the heads of slain enemies,〔Compare ''(The Tidings of Conchobar son of Ness )'' §15 with Diodorus Siculus, ''Historical Library'' (5.29 )〕 and boast of their valour at feasts, with the bravest awarded the ''curadmír'' or "champion's portion", the choicest cut of meat.〔Compare ''(The Story of Mac Dá Thó's Pig )'' and ''(Bricriu's Feast )'' with Athenaeus, ''Deipnosophists'' (4.40 ), Diodorus Siculus, ''Historical Library'' (5.28 )〕 Kings are advised by druids (Old Irish ''druí'', plural ''druíd''), and poets have great power and privilege. These elements led scholars such as Kenneth H. Jackson to conclude that the stories of the Ulster Cycle preserved authentic Celtic traditions from the pre-Christian Iron Age.〔Kenneth Hurlstone Jackson, ''The Oldest Irish Tradition: a Window on the Iron Age'', Cambridge University Press, 1964〕 Other scholars have challenged that conclusion, stressing similarities with early medieval Irish society and the influence of classical literature,〔John T. Koch, "Windows on the Iron Age", ''Ulidia'', December Publications, 1994, pp. 229–237; J. P. Mallory, "The World of Cú Chulainn: The Archaeology of ''Táin Bó Cúailnge''", ''Aspects of the Táin'', December Publications, 1992, pp. 103–153〕 but it is likely that the stories do contain genuinely ancient material.
It is probable that the oldest strata of tales are those involving the complex relationship between the Ulaid and the Érainn, represented in the Ulster Cycle by Cú Roí and the Clanna Dedad, and later by Conaire Mór. It was observed a century ago by Eoin MacNeillEoin MacNeill, ("Early Irish Population Groups: their nomenclature, classification and chronology" ), in ''Proceedings of the Royal Irish Academy (C) 29''. (1911): 59–114〕 and other scholars that the historical Ulaid, as represented by the Dál Fiatach, were apparently related to the Clanna Dedad. T. F. O'Rahilly later concluded that the Ulaid were in fact a branch of the Érainn.〔T. F. O'Rahilly, ''Early Irish History and Mythology''. Dublin Institute for Advanced Studies. 1946.〕 A number of the Érainn appear to have been powerful Kings of Tara, with a secondary base of power at the now lost Temair Luachra "Tara of the Rushes" in West Munster, where some action in the Ulster Cycle takes place and may even have been transplanted from the midland Tara. Additionally it may be noteworthy that the several small cycles of tales involving the early dominance of the Érainn in Ireland generally predate the majority of the Ulster Cycle tales in content, if not in their final forms, and are believed to be of a substantially more pre-Christian character. Several of these do not even mention the famous characters from the Ulster Cycle, and those that do may have been slightly reworked after its later expansion with the ''Táin'' and rise in popularity.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Ulster Cycle」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.